WELCOME TO THE LEBEHA DRUMMING CENTER.

WE ARE BASED AT THE NORTHERN END (THE "LEBEHA" IN THE GARIFUNA LANGUAGE) OF HOPKINS VILLAGE ON THE BEAUTIFUL SHORES OF THE CARIBBEAN OCEAN IN BELIZE, CENTRAL AMERICA. WE OFFER LOCAL CHILDREN THE CHANCE TO LEARN THE DRUMMING, DANCE AND CULTURAL HERITAGE OF OUR GARIFUNA ANCESTORS.

PLEASE CONTACT US FOR GROUP OR PRIVATE LESSONS WHETHER YOU ARE PASSING THOUGH OR PLAN TO STAY A WHILE. WE CAN TEACH BASIC GARIFUNA RHYTHMS SUCH AS PUNTA, AND MASTERCLASS LESSONS ARE ALSO AVAILABLE FOR ADVANCED MUSICIANS. AND IF YOU ARE GETTING MARRIED ON THE BEACH OR AT A NEARBY RESORT, WE PLAY FOR MEMORABLE WEDDINGS.

PLEASE COME AND VISIT US; WE PERFORM EVERY NIGHT AND VISITORS ARE WELCOME (YOU WILL END UP DANCING TOO).

WE HAVE A CD AVAILABLE ON THE INNOVA LABEL. IT WAS A FINALIST FOR THE 2006 GRAMMY AWARDS IN THE TRADITIONAL MUSIC CATEGORY.
	YOU CAN STAY RIGHT AT THE CENTER IN ONE OF OUR NEW CABANAS. IDEAL ACCOMMODATION FOR STUDENT AND YOUTH GROUPS AS WELL AS BUDGET TRAVELLERS OF ALL KINDS. RATES FROM $35BZ/NIGHT VISA, MASTERCARD AND AMEX GLADLY ACCEPTED.
PLEASE WRITE TO US IF YOU HAVE ANY QUESTIONS. THANKS DOROTHY PETTERSEN AND JABBAR LAMBEY, DIRECTORS LEBEHA CENTER, HOPKINS, BELIZE

Lebeha Boys (in alphabetical order; dancers and others not appearing on the CD are not listed here):

Roy Augustine (age 13): segunda drum, turtle shells, vocals

Anthony Eligio (14): dancer, vocals

Nicholas Joseph (13): dancer, vocals

Warren Martinez (14): primero drum, lead vocals

Shaquille Martinez (10): shakas, vocals

Clayton Williams (13): segunda drum, vocals

Ronald Williams (14): segunda drum, turtle shells, shakas, vocals

Jabbar Lambey, Center director, turtle shells

Belize, formerly British Honduras, sits under the Central American sun surrounded on three sides by the Yucatan Peninsula of Mexico to the north, Guatemala to the west, and Honduras to the south.   The fourth side forms the largest coral reef in the Northern Hemisphere.   Hugging the shores of the lapping Caribbean, the village of Hopkins is a sleepy string of fishing shacks, the home of approximately 1,000 Garifuna people.   At the north end of the strip you will find a thatched shed in the sand, some tropical birds enjoying the fruit trees, and, every night, a dozen or so kids eager to show you their drumming and dancing skills (after lubing up with Baby Oil to fend off the hungry sandflies).

The Lebeha Drumming Center ("Lebeha" means "the end" in the Garifuna tongue) was started in 2002 by drummer Jabbar Lambey and Canadian Dorothy Pettersen.   It is not a therapeutic drum circle, it is not the more commercial Punta Rock style (exemplified by stars such as Pen Cayetano and Andy Palacio), and none of the kids is forced to practice.   If nobody shows up to listen or to dance, the boys play for themselves with just as much vigor as they would at a major festival.   They carry with them the singular tradition that is Garifuna culture: a cocktail-shaker-full of African and South American Indian ingredients.

Garifuna Culture

The Garinagu (or Garifuna people) now live primarily along the coast from Belize to Honduras and Nicaragua.   A storm in 1635 in the Lesser Antilles capsized two sailing ships carrying slaves from West Africa; primarily from Rivers State, Efiks, Calabaris in southeast Nigeria.   Those who made it to shore on the island of St. Vincent began to mix with the Indian settlers; the Arawak and Red Carib people, who had migrated from Guyana and the Orinoco River area of Venezuela.   By 1700 the British, Spanish and French colonialists sought to use their land for cotton and sugar plantations.   These Red (and now Black-) Caribs withdrew to the mountains and a century of guerilla warfare ensued.   Their defeat came in 1797 on Yurumein (Garifuna for the island of St. Vincent) when their chief, Joseph Chatoyer, died in battle, and the British forcibly exiled 4,000 of them to nearby Becquia and Roatan Island, Honduras, many of them dying en route.   Dissatisfied with these arrangements they let the Spanish take over the island and headed for the coast of Stann Creek, Belize, near present day Dangriga and Hopkins.

Their arrival up the river on November 19 th , 1832 (led by Alejo Beni, after finding themselves on the losing side of a revolution in Honduras) is now celebrated as Garifuna Settlement Day when reenactments of costumed musicians on boats kicks off a season of festivities in the area.   UNESCO recently proclaimed Garifuna culture a "Masterpiece of the Oral and Intangible Heritage of Humanity," though this does little to help the hand to mouth daily existence of the people.   Tourism and escape to the U.S. offer some consolation and money but there are few opportunities for the practicing masters of the tradition; some of the finest elder musicians are now more conversant with a bottle of rum than with a drum.   Into this mixture come the wildly talented Lebeha Boys with the enthusiasm and hope of a new generation.

Instruments

The drums are made by Austin Rodriguez of nearby Dangriga from mahogany or mayflower wood with deerskin hides.   They are tuned by ropes on the sides and are then placed in the sun. The Primero drum is also called the male drum because it has been birthed from inside the larger female, carved from the same log.   The Primero drummer and lead singer, or Gayusa , directs the musical changes, shows the greatest virtuosity, and calls the songs for the others' response. The drums are played by hand and the trick is to be able to play fast while keeping the tone strong; qualities that young Warren Martinez has in abundance.

The shakas contain seeds from a fruit tree inside a calabash gourd, and the turtle shells are exactly that, strapped around the player's neck.   There are no guitarists at Lebeha although guitars are often used in this style of music.